Such was a historic moment when the National Musical Instrument Bill, 2024, piloted by Minister Randall Mitchell, was passed, culminating in a resounding victory for Trinidad and Tobago’s cultural legacy.

By immortalising the pan as the nation’s emblematic musical instrument, this historic legislation transcends mere politics to carve an indelible mark upon the annals of our heritage. It speaks volumes of the unwavering commitment to preserving the soul-stirring melodies that define our identity.

Originating in the vibrant hills of Laventille, Port of Spain, the pan stands as a beacon of innovation, embodying the very essence of creativity birthed from the crucible of historical narratives and social dynamics.

Its metamorphosis from humble bamboo origins to the illustrious steel drum testifies to the audacity and boundless spirit of the Trinbagonian people.

Through the ages, their ingenuity and tenacity have sculpted the pan into a masterpiece that reverberates across the globe with unrivalled splendour.

The rise of the pan from the gritty tenements of Port of Spain to its stellar status on the world stage is a saga of irresistible resilience and unwavering passion.

Despite the adversities of financial constraints and societal prejudices, the pan pioneers blazed a trail of brilliance with their unwavering dedication and remarkable talents.

Their unwavering ardour has not only earned the instrument international acclaim, but also an enduring place in the hearts of music aficionados worldwide.

With the National Musical Instrument Bill, 2024, emerging as a milestone event, Trinidad and Tobago proudly heralds a new era in the preservation of its cultural legacy.

This landmark legislation not only pays homage to luminaries like Winston ‘Spree’ Simon, Bertie Marshall and Ellie Mannette, but also paves the way for future generations to cherish and nurture the rhythmic treasures of the pan.

The renaming of the Old St Joseph Road to the Bertie Marshall Boulevard in Laventille, a heartfelt tribute petitioned by passionate activists years ago, stands as a resounding testament to the enduring legacy of one of the pioneering figures who played an instrumental role in shaping the vibrant pan revolution.

In honouring the pan as the national musical instrument, Trinidad and Tobago elevates its cultural narrative to a crescendo, celebrating the resilience, resourcefulness and spirit of its people. This pivotal moment underscores the power of acknowledging our roots and embracing the legacies of our forebears.

As the pan rightfully ascends to its place as a symbol of our cultural heritage, led by the indomitable Mrs Beverly Ramsey-Moore of Pan Trinbago, our nation stands tall in unity and pride.

Ancilla Kirby-Scott