THE current judging format for finals in events like Carnivals and Panoramas, while traditional, may be seen as outdated in today’s world. Introducing a public online voting system, similar to popular talent shows like Eurovision, American Idol, and UK Got Talent, could inject new life into these events.

This shift towards public voting would not only engage a wider audience but also democratise the judging process. It allows for a more inclusive representation of public opinion, ensuring that the most popular and well-received performances are rewarded. This approach is in line with contemporary entertainment trends, where audience participation is highly valued.

Moreover, the current Carnival and Panorama expenses could be optimised if the events were privately run. The construction and demolition of temporary stands, unsightly vendor booths, and other patronage expenses could be streamlined to make the event more attractive, efficient, and profitable. The Socadrome, a privately initiated initiative, serves as a model for the success of such an approach.

Privatisation could eliminate the need for subsidies and create a more sustainable financial model. By attracting private sponsors and reducing unnecessary expenses, the event could become a lucrative venture. Additionally, the Socadrome’s success showcases how a privately-run event can focus on delivering a better experience for both participants and spectators.

In conclusion, transitioning to a public online voting system and exploring private management options could modernise and enhance the Carnival and Panorama experience. This evolution could lead to increased efficiency, financial viability, and overall appeal, bringing these events in line with contemporary entert